![]() ![]() Early scenes flesh out our hero in quiet conversations with her brother and her mother Aruka (Michelle Thrush) as well as in sequences where Naru hunts alone. We learn what's expected of her as a woman in her tribe versus what she really wants to do. Our knowledge of Naru's abilities is due to the fact that we spend a good chunk of Prey's first act getting to know her. You want her to succeed not just because she's Prey's main character, but also because Prey makes it abundantly clear how capable she is. Her decisions - such as fastening a rope to her tomahawk so she's always able to pull it back to her - consistently have satisfying narrative payoff. She's an ace with a tomahawk and a gifted tracker, with an excellent canine companion to boot. When I tell you that Naru kicks ass, I don't think you understand quite how much ass she kicks. Sure, this is a Predator movie, but Prey is really all about Naru. Credit: Photo by David Bukach © 2022 20th Century Studios As soon as that realization kicks in, so does the main conflict of Prey, pitting an elite hunter against an aspiring one in a showdown to the death.Īmber Midthunder kills it as Naru. ![]() However, Naru is the first person to realize there's a new, dangerous apex predator on the loose. She's a member of the Comanche tribe who is determined to prove her mettle as a hunter, despite the doubts of her brother Taabe (Dakota Beavers) and everyone else around her. While 'Prey' is clearly a 'Predator' film, it doesn't feel like any iteration of the 'Predator' stories we've seen before.Īs we get to know the Predator, we also get to know Prey's protagonist Naru (Amber Midthunder). The Predator's kills - such as a gnarly snake disembowelment - speak for themselves. In classic Predator fashion, Trachtenberg lets the horror of this much more ancient Predator linger off-screen, smartly employing the Predator's camouflage system to generate suspense. Instead, we're dropped right into the plains of the American West - gorgeously shot by cinematographer Jeff Cutter - where a Predator (Dane DiLiegro) has begun a calculated killing spree. So they don't waste time catching us up with unnecessary exposition. Trachtenberg and Prey screenwriter Patrick Aison clearly know that we're familiar with the base concept of the alien Predators who hunt for sport. ![]() That distance proves to be the film's not-so-secret weapon, because while Prey is clearly a Predator film, it doesn't feel like any iteration of the Predator stories we've seen before. Set in 1719 in the Comanche Nation, Prey is far removed from the rest of the Predator films in terms of both timeline and location. ![]()
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